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Sasquatch Vocalizations
Alicia Bateman
Imagine being on a camping trip. You haven't got a large fire
going, it's just enough to roast a few marshmallows and keep you
and your friend comfortable. You're both used to hearing coyotes,
and three or four of them have been singing across the canyon
from you for a little while now. Below you, you can hear the
steady, white noise of a river. It's getting fairly late in the
season, there aren't as many people up here as there might have
been in July.
Being that the clock is getting gradually closer to one in the
morning, you're getting kind of tired. You turn toward your
friend, about to suggest it's time to turn in. A high pitched,
unbelievably loud noise cuts the night air. The coyotes go quiet
as it echoes through the gash in the landscape. For a moment, as
your hair stands on end, it seems as though everything in the
forest has stopped. You and your friend look at each other.
"Cougar?" he suggests, looking quizzical.
But you've both heard the cat's calls; something about this was
different. Maybe you talk it over for a little while before
finally succumbing to your need for rest. You've talked about it,
thought about it, and all you know is what this animal was
not.
Until, perhaps, you hear some story, somewhere, about something
. .
Vocalizations play a key role in the communication of most
mammals, both within their species and to members of other
species. The same holds true for the sasquatch. These creatures
have the need to convey information to each other and other
animals, both in close quarters and sight unseen.
Learning what vocalizations are attributable to sasquatches can
help notify one of their presence in a given area. Ascertaining
the behavioral significance (the meaning) of individual
vocalizations can help a researcher make a judgment on what calls
to play back or imitate him- or herself. After all, it would be
wonderful if a call could be played to initiate more peaceful
contact rather than a territorial challenge.
Knowledge of their calls is a window into their behavior,
another piece of a puzzle that people have been trying for so
long to put together. It is vital to move beyond just the
"scream," "howl," and "whistle," and look deeper, into their
variants and individual meanings therein. My hope that is that
doing so can help bring another piece or two together.
It is important to remember that many creatures produce an array
of strange calls. Deer can bleat and squeal; foxes and porcupines
can and do scream; common nighthawks whistle and produce a sort
of low buzzing sound when courting. The repertoire of owls is
simply astonishing. And, of course, you often have other humans
running around. With all these other possibilities, there is a
lot to take into consideration when looking at a vocalization
that may be sasquatch-related. These possibilities are almost
always there, and there is the ever-present risk of
misidentification.
With that in mind, I've put this paper together as best I
can.
Vocalizations contained here are broken down by type, where
applicable, rather than possible behavioral significance. There
simply is not enough information available to me for such
categorization to be complete and correct. It is also important
to note that this paper is geared more toward the Pacific North
West population of sasquatches, thus differences in regional
vocalizations will be apparent.
Screams:
Easily the most common type of vocalizations attributed to
sasquatches are, collectively, known as "screams." Several calls
have been lumped together using this word alone. For the purposes
of this paper, different types of screams have been sorted and
given each type a name. Each scream is looked at for possible
behavioral significance individually. Not every scream is
territorial, or a warning.
As always, it is important to realize that there are other
explanations for some of the sounds. Others defy conventional
explanation. Still other sounds are truly similar to more common
animal noises, so much so that only circumstances and subtle
differences can distinguish them.
A description is provided for each call, along with possible
behavioral parallels and significance.
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A spectrograph of the Tahoe scream recording. (The recording itself is not currently publicly available.) |
Long Call-type:
Cycled, repetitive call with a fluid, bell-like quality. Most
intense near the beginning of the call, then fades. Examples of
this scream include the more famous Puyallup recording, the Del
Norte scream recording, the recording mainly referred to as the
Snohomish, and the believed juvenile example, the Tahoe Scream.
It is possible that other recordings of this call exist as
well.
A similar call exists in the orangutans. Though it is not
possible, at this time, to say there is a behavioral parallel in
the usage of this vocalization, it is not entirely unlikely. In
orangutans, this is a call used by adult males. He gives the call
mainly while he patrols his territory. In orangutans, it deters
rival males and non-breeding females, while drawing in females
who are ready to mate.
Because sasquatches do appear to be more social than orangutans,
it is likely that the exact behavioral significance may be
slightly changed. Or, at least, the circumstances. Still, based
on responses to playbacks, it does appear to be a territorial
call, possibly, in this case, to deter males outside the family
group.
Sometimes, this type of scream is associated with movement on
the part of the animal, occasionally toward a human observer. If
this is a territorial call, it is likely that this is territorial
behavior. In these cases, it might be that the message is more
one of "get out" than an actual threat. Purely speculative, of
course.
Musical Scream:
Possibly a Long Call-type variant. Like the Long Call-type in
its notes, but with a change in rhythm. Instead of reaching its
crescendo near the beginning of the call and then backing off,
like the Long Call-type, the Musical Scream hits its crescendo in
about the middle of the vocalization. This more intense high note
is then followed by a softer, slightly lower, note, a little
quieter than the key it began on. The overall sound of the
vocalization is very flowing, musical, and not very difficult to
imitate by singing.
It is possible that this could be related to the Long Call-type
in its behavioral significance, as it seems to be in the way it
is produced. Something else that seems possible to me is that
this call is more directly related to mating than the Long
Call-type; pure speculation, of course. Without any reference to
this call in context, that I am aware of, it is impossible to
reach any conclusion on its meaning.
Two-toned Scream:
Short, sharp calls with two nicely defined notes. I've heard it
twice. It's a higher high pitched note followed by a lower high
pitched note. The slurring from one note to another is brief, the
transition smooth. The call itself is only about 1-2 seconds.
When I heard it, it was not repeated. The first time I heard the
call, it was followed by an intense, low tone. On the other
occasion I heard it, no added low tone was present. May be a
response to something, but behavioral significance unknown.
"Whining" or Whispered Scream:
High pitched, but very soft; low volume. Notes quiet, sweet, and
gentle with some variations in pattern. Quiet, seems
nonaggressive. Exact significance unknown, but it seems like a
subtle, close-quarters communication and/or contact call.
I've heard it at close range (approximately 20 feet away) once,
associated with bipedal movement. The animal would vocalize when
I aimed a flashlight in its general direction, quiet down and
move toward me when the flashlight was facing a different
direction. Though this was a little unnerving, I've considered
that nothing about this seemed at all hostile. The vocalizing
animal made none of the sounds normally associated with an
aggressive encounter, such as a loud scream, roar, or growl. Nor
did it move quickly or break tree limbs. One wouldn't think that
serious stalking behavior would include a vocalization, based on
the silence of other predators.
Some owls can produce a similar sound, thus a quiet high pitched
noise without any extraneous evidence to indicate it is
sasquatch-related should be considered objectively.
Repeated Echoing:
Echoing, beautiful call. Possibly to three notes, very smooth
transitions. It has a pretty, haunting, flowing impression but is
rather high pitched. More of fades than stops abruptly, but not
protracted. Repeated 2-5 times a set when I heard it. Done in
both day and night. It has been recorded at least two times, that
I know of. It sounds slightly similar to the Whispered Scream,
though at a higher volume.
Behavioral significance unknown, but the feel of it is not
aggressive. Because of its similarity to the Whispered Scream, it
is possible that the two are related. If correct, that could mean
this vocalization has the same or similar significance as the
Whispered Scream. Unfortunately, there is no way for me to say
this with any certainty at this time. Behavioral significance is
unknown.
"Whoops":
Repetitive, high pitched, echoing, whooping. I've never heard
it, but I understand it sounds a bit like "Whoop" being screamed
over and over at high volume. It may sound similar to the
Repeated Echoing, but with a tighter ending.
Behavioral significance unknown, but they sometimes respond to
the human-screamed version; I gather a sasquatch can get
aggressive if you "whoop" again after it's replied, though there
are other reactions--like leaving the area. The second time I did
it with a response, I heard bipedal footsteps walking toward me.
(Based on location, human was ruled out completely.) While a
little eerie, it did not seem aggressive.
Distressed-type:
Described as "blood curdling" or "like a woman being murdered."
I haven't heard of it being repeated, though it may. If an actual
sasquatch vocalization, it is possibly a pain/distress or female
threat vocalization, based on comparisons to the orangutan.
Foxes also produce a vocalization somewhat similar to a woman
screaming, as do cougars. Thus, though an intriguing sound, it
may or may not truly belong in this paper.
Manlike Scream:
Very similar to an adult human male screaming. I have heard a
recording. The sound was sharp, high pitched, and has a very
slight hollow quality. The call was repeated once. Behavioral
significance unknown, but it has been suggested that this was
done in imitation of human yelling.
Siren-like:
A siren-like scream. I haven't heard it, but the description
brings to mind something a gibbon would do. But, having never
heard it, I can't be sure. Behavioral significance unknown.
Flat Shriek:
Single toned scream, I've heard of it being repeated. Appears to
be a threat vocalization, the screamer putting as much power as
it can into each cry.
Roaring Scream:
A deep, guttural scream. The roar, reported comparatively
rarely, is probably a deeper variant on this, quite possibly made
deeper due to greater size in the vocalizing animal. This is more
than likely a direct threat, as both variants have been reported
directed at human observers, occasionally with additional
behavior on the part of the vocalizing animal.
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