Wallace Scam Ensnares Hollywood Producers
Some folks in Hollywood apparently didn't get
the memo, or didn't get it in time. Months after the Wallace family's
bogus story about their deceased, veracity-challenged father, was thoroughly
scientifically debunked by Dr. Jeff Meldrum at Idaho State University,
and Canadian journalist John Green, a newly formed production company
in Hollywood has announced plans to produce a "documentary" based on the
discredited Wallace story (see article from the Hollywood Reporter, below).
Someone needs to send another memo to actor Judge Reinhold and producer
Eric Geadelmann, before they make fools of themselves:
1) The Wallace story has been debunked, scientifically. It was a lie.
The wooden track stompers shown to the media by the Wallace family do
not match photos of the 1958 tracks they claim their father made. They
are different foot shapes. See for yourself.
2) It is not physically possible to fake tracks with the shape, depth
and stride of the Bluff Creek tracks, using any kind of wooden track stompers.
Go ahead and try it sometime. Stompers large enough to produce the tracks
cast in 1958 act like snowshoes in soft soil. They cannot create the
heavy compression seen in the 1958 casts.
3) John Green has offered $100,000 dollars to anyone who can recreate
the tracks the Wallaces claim their deceased father created. The Wallace
family can't do it. One of the Wallace family members nearly killed himself
trying to do it, as he was towed behind a pickup truck while wearing the
wooden stompers, in front of media cameras.
4) The Wallace family waited for their father to die before propagating
their bogus story, because Wallace himself would have been easily discredited
upon cross examination by those who could prove he didn't know the key
details about the tracks found by Jerry Crew.
5) Scientific luminaries such as Jane Goodall and George Schaller have
recently become vocal advocates for the authenticity of the real evidence
indicating the existence of these animals.
6) This is a very serious environmental issue. Television programs and
films that mislead the public about it will eventually be viewed as something
between distasteful and criminal exploitation of popular misconceptions,
as more evidence and scientific support accumulates to show that the species
exists, and is likely endangered.
Is this how you'd like to be remembered? If you have any moral fiber at
all you'll think about this. Don't cop out by calling it entertainment.
The ignorant attitudes you're encouraging will affect public policy in
a lot of areas, policies that directly affect the habitats of this rare,
important primate species.
From the Hollywood Reporter
Reinholds put their Bigfoot forward in venture
By Chris Gardner, Reuters
LOS ANGELES (Hollywood Reporter) - Actor Judge Reinhold and his wife,
Amy, have teamed with indie producer Eric Geadelmann to launch a feature
film production company.
TLP Prods., which will maintain offices in Los Angeles and Nashville,
has acquired two narrative fiction projects and started production on
a documentary.
TLP has acquired the rights to the life story of Ray Wallace, a logger
in the Pacific Northwest who is credited with creating the myth of Bigfoot
by using a pair of 16-foot carved wooden feet and stomping around on
the ground. He kept the legend going for more than 40 years by using
photos, footprints and fake sightings before his family admitted the
long-running hoax shortly after his death in November 2002.
The Reinholds, Geadelmann and manager-producer Gordon Gilbertson will
produce the untitled Bigfoot-hoax project, with Judge Reinhold expected
to take a supporting role in the film.
"Initially, this was just a funny headline in the New York Times, but
the more we learned about Ray and the ingenious ways he captured people's
imagination and manipulated mass media, we knew we had to tell his story,"
Judge Reinhold said. "It's Ray's young son's discovery that his father
is Bigfoot, set against the mystery and enchantment of the Northwest
woods."
TLP's other fiction film project is "One Stupid Thing," a black comedy
penned by John Lavachielli about a New Jersey man who moves his family
to the small town of Nyborg, Wyo., to protect them from impending terrorism.
Justine Baddeley is producing in association with TLP. CAA is packaging
both projects.
TLP has started production on the feature docu "Ghosts in the Hills"
in Arkansas. The film tells the story of a white community at a historic
crossroads because of the Ku Klux Klan.
Geadelmann also is a partner in Haynes/Geadelmann Pictures, an independent
film production outfit that recently announced a multiple-project deal
with Nicolas Cage and his Saturn Films.
Judge Reinhold was last seen on the big screen in last year's "Santa
Clause 2." Upcoming film projects for the actor include "The Hollow"
and "Crab Orchard."
Reuters/Hollywood Reporter
BFRO Editorial on the Wallace Story: One Member's Perspective
The story was hot, and it was everywhere -- on TV, newspapers, and radios
around the world -- in December 2002. It proclaimed that "the truth can
finally be told about Big Foot". Virtually every major newspaper and broadcaster
in the United States fell for it. A family had "finally come forward to
reveal the truth". They claimed their deceased father had started the
whole legend. It was all him. He was Bigfoot. They said they knew it,
and they had the fake tracks to prove it.
The Wallace family proudly exhibited some wooden track stompers to the
press. They claimed these were used by their father, Ray Wallace, to create
the legend of Bigfoot in the late 1950's. It was only a harmless prank,
they explained, but it got out of hand and took on a life of its own,
with the help of Ray.
Different members of the Wallace family told different versions of the
story. Some claimed Ray only started the legend, then other people apparently
faked other tracks in other areas. Various other Wallace family members
claimed that Ray made all the tracks himself, anywhere and everywhere
they appeared.
The media bought all of it. There was nothing the media wasn't going to
believe.
Some Wallaces claimed Ray was behind the Patterson footage as well. Ray's
widow said it wasn't her in that costume, and she didn't know anything
about it. The rest of the Wallaces still wanted to credit Ray for the
Patterson footage somehow. They could only say they were sure he had something
to do with it.
Even after thousands of credible eyewitnesses had come forward over the
years to report their sightings, and piles of scientifically valuable
evidence had been collected, the media still continued to falsely claim
there is no evidence for the existence of bigfoots. But ironically, when
a rural family came forward with some far-fetched, inconsistent claims,
about a man who was locally famous for being a wild story teller, and
his son held up some carved wooden track stompers ... that was nothing
short of unquestionable proof to the mass media, and so it was affirmed
by Jay Leno of NBC, Aaron Brown of CNN, Shepard Smith of Fox News, The
New York Times, etc., etc.
Many people were amazed and confused at the downright ignorance of the
media. People knew that sightings, encounters and track finds extended
far back into the American history. They also knew the only significance
of the 1958 finds was that the term "Bigfoot" was first coined then, and
that term eventually supplanted the hundreds of local names across the
continent, such as the Boggy Creek Monster of Arkansas, the Skunk Ape
of Florida, the Mountain Devils of Vermont, the Omah of Northern California,
and the Wendigo of the Great Lakes region.
The only thing that began in 1958 was the familiar nickname most people
came to remember, not the track finds, the sightings, or anything else
related to this subject.
Bigfoot researchers knew more about the Wallace family's claims, because
they had dealt with Ray since the 1960's:
-
Ray's fake tracks and stompers were on display, hanging on the walls
of his roadside tourist shop for years. The Wallace family recently
implied that Ray had kept them in hidden since the 1960's.
-
Ray himself never claimed to have created the original "Bigfoot"
tracks. His family attributed it to him only after his death -- conveniently
when he wasn't around to deny it, or to be cross-examined by the surviving
people who had been to the site at the time. Even the locals, like
Al Hodgson in Willow Creek, who knew Ray Wallace well in the 1950's,
say he wasn't in that part of California when the first tracks were
found. All Wallace did, according to Hodgson, was complain that the
footprints were making his workers quit and driving his company out
of business.
-
The family didn't realize that Ray's fake casts weren't even the
same size and shape of the 1958 casts. The news media didn't want
to complicate their hot story with that troublesome fact -- Wallace's
fake casts and stompers do not match the "Bigfoot" casts. No one in
the media bothered to look at the obvious discrepancies in the photos.
In one photo a Wallace family member holds the stompers he claims
Ray used to make the original "Bigfoot" tracks found by Gerry Crew.
The other one is the famous photo showing Gerry Crew holding the large
cast which inspired a local reporter to coin the term "Bigfoot".
It didn't matter to the media that they are visiblly different foot
shapes. The story was too hot to treat responsibly. And it was about
a "myth", so it didn't require any of the usual fact checking.
The scariest 'Big Brother' anecodate from the Wallace media blitz:
The New York Times story.
On January 3, 2003, the New York Times ran a front page story with the
headline "Search for Bigfoot Outlives the Man Who Created Him".
In the story reporter Timothy Egan painted the whole subject as one driven
by foolish beliefs of people in the Northwest, and suggested there was
no credible evidence.
Like many of the other misleading stories, it completely bought into the
Wallace family claims. It credited Wallace as the one who created the
whole legend, and perpetuated it over the years.
In one part of the story Egan writes, "Bigfoot defenders, including
at least two scientists and a clinical psychologist who says he ran into
the Big Guy two years ago in southern Oregon, are undeterred. They give
Mr. Wallace credit for the hoax, which led to news stories around the
world and began thousands of campfire debates. But, they say other evidence
is too strong ..."
The three people Egan was referring to are Dr. Jeff Meldrum, Dr. Henner
Fahrehbach, and Dr. Matthew Johnson.
Dr. Johnson told Timothy Egan squarely that he didn't know one way or
the other about the Wallace family claims. He didn't give Wallace credit
for any hoax whatsoever, and didn't know anything about him.
Dr. Fahrenbach told Egan right up front that he knew Wallace faked tracks
in the past, but Fahrenbach made no comment about the 1958 tracks -- the
"hoax" Egan refers to above. Egan didn't question Fahrenbach
about his stance on that episode, and Fahrenbach says he certainly "did
not give Wallace credit for that one." Fahrenbach was shocked to
read Egan's article, wherein he found more than one statement falsely
attributed to him.
The most egregious false attribution came from Egan's interview with Dr.
Meldrum. During Egan's phone interview, Meldrum similarly did not "give
Mr. Wallace credit for the hoax". But, unlike the others, Meldrum
did have something to say about it. He explained to Egan how he could
prove that Wallace didn't have anything to do with the 1958 "Bigfoot"
tracks. Egan asked Meldrum detailed questions about how he could demonstrate
it. Meldrum explained himself in detail.
Regardless of whether Egan accepted Meldrum's analysis, Egan clearly got
the message that Meldrum did not give Wallace "credit for
the hoax". Meldrum did say he had some likely fake casts from that
region which could have been made by Wallace, but those were clearly distinguished
from the specific track finds Egan was asking about.
Of the two PhD's and the one clinical psychologist who were interviewed
by Egan for this New York Times story, all of them say that Egan falsely
attributed statements to them. Of those three people, only one had any
comments about the 1958 track finds, and those comments were exactly the
opposite of what Egan attributed to all three of them. Egan's cross-examination
of Meldrum over the phone during their interview makes it certain that
Egan knew Meldrum did not give Wallace credit for the tracks in question,
yet this is what Egan wrote, for the front page of the New York Times,
January 3, 2003.
If a politician, celebrity or prominent businessman had done something
like this, it would have been a major scandal ... and would have been
vigorously investigated by the New York Times.
Wireless Flash for Monday, December 9, 2002
PORTLAND, Maine (Wireless Flash) -- Reports that Bigfoot is dead
may be greatly exaggerated. Although the mainstream press is touting
the recent death of Sasquatch prankster Ray Wallace as "the death of
Bigfoot," cryptozoologist Loren Coleman says the legend is alive and
well. Coleman says Wallace is called "the father of Bigfoot" because
he made his claims in 1958, around the time the term, "Bigfoot," first
appeared. However, there were numerous Sasquatch sightings between 1850
and the early 1900s and native Americans have been depicting the hairy
creature on totem poles for 500 years. Coleman says there's more than
enough evidence proving that the Bigfoot legend is something that existed
long before Wallace's pranks and not simply his hoax. In fact, he says
folks who assume Bigfoot sightings will disappear now that Wallace is
dead may end up putting their big foot in their mouth.